Archive for the 'photographing artwork' Category

26
Apr
11

dogs in the vineyard!

A couple of years ago, I had the privilege of photographing some wonderful oil paintings to go into a book. The paintings are by Stuart Ferrell, an amazing painter of dogs – and other subjects. The story revolves around some dogs who go to work for an actual vineyard in Virginia. The vineyard, now under new ownership, has decided to use the image above for a wine label. I can’t wait to taste the wine!

In the picture above, the dogs, who have been hired to guard the vineyard, are asleep as a variety of creatures and critters look on. If you’d like to buy Stuart’s fabulous book, contact her at stuartcferrell@gmail.com.

Faithful readers know how much I enjoy doing headshots, and there are some lovely headshots in Stuart’s book, including my favorite one, below.

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07
Feb
11

photographing artwork – part two

I’ve been shooting a fair amount of artwork recently.  As discussed in this recent post, I photographed  a very small painting – less than six inches across. This painting above is much larger, over 5 feet across.

My friends, Bill and Debbie Nightingale,  own the painting. The artist is Ben Jones.  The painting will be the featured piece in an exhibit of Jones’ work this Spring,  at the Washington County Museum of  Fine Arts, in Hagerstown, Maryland.  The photograph will be used in the catalog for the exhibit.

There were some interesting challenges in shooting this painting. It hangs in the Nightingale dining room and was too large to move. To get back far enough to shoot it properly, we noticed the chandelier was in the way. Bill and I wired the chandelier up close to the ceiling, just making room for a clear view from the camera.  I used two lights, trying to light the canvas evenly, but still provide some highlights and interest to the frame.

Apparently the artist has tried to buy the piece back several times. I’m not surprised – it’s an extraordinary work of art.

31
Jan
11

photographing artwork – the sopwith camel pilot

Today, I spent an enjoyable morning with this wonderful early 20th century oil painting.

This is a portrait of William Y. Bogle, Jr. His son, William Y. Bogle, III, is a friend of mine. I’ve yet to meet WYB IV and V – number five is now in boarding school in Connecticut.

This portrait was painted in 1925, when Mr. Bogle was 30 years old.  During World War I, he had wanted to serve in the U. S, military, but was too young, so he enlisted in the Royal Canadian Air Force and had a distinguished career piloting the famous Sopwith Camel airplane, pictured here.  

 He did land a plane in a tree once, but walked away with just a few scratches on his face.  The portrait, to me, shows a sophisticated and dapper young man, war-weary yet wise to the ways of the world.

The painter was a Danish artist, with the distinguished name of Johann Waldemar de Rehling Quistgaard (1877-1962).  The artist’s name appears clearly in the bottom right corner.

This painting is very small, measuring just 5 7/8 ths inches by 4 3/8 ths inches.  The detailed brushstrokes are pretty amazing.

My assignment was to photograph the painting and make some prints.  Working with such a small painting is tricky.  My photograph appears above. I made several prints for my friend Bill, including one that is 13 inches by 19 inches – almost 10 times the area of the painting.   The print is tack sharp and shows Quistgaard’s skill with a brush, perhaps even more clearly than the actual painting does.

How did I shoot the painting?  Here was my setup:

I propped the painting up, placing it on a white foamcore background. You can see how small the painting is – note the arrow pointing to it. Using a very sturdy tripod, I aimed straight down at the image.  I shot “tethered” to a laptop, so I could check that the image was in sharp focus. See the laptop screen, zoomed in of Mr. Bogle’s face. The face in the painting is just over an inch tall. 

Two lights were used, set at about 45 degrees.  This avoided glare bouncing off the surface of the painting, but was a sharp enough angle to show the texture of the painted brushstrokes.   The camera was mounted with a pro-level Nikon 105mm macro (close-up) lens that provides absolutely amazing clarity and sharpness. 

I love shooting artwork.  Do you have an old family portrait – or any other artwork – that you’d like to have photographed?  I’m ready!